[2011] Kaleidoscope [DJ Okawari] ''FLAC''

Kaleidoscope


A very beautiful album. It includes the classical Flower Dance, and if you really love this one you'll also love all the other songs. Most of the songs have a combination of jazz, hip-hop - piano, jazz, drums, and some electro.
Such soulful music...I absolutely love it. Declutters my mind and takes me to a good place; this is real music. If you are a fan of Nujabes you will definitely love this.

Quality: Flac
Genre: Hip-Hop, Trip-Hop, Jazz Rap, Cool Jazz, Instrumental Hip-Hop, 
Jazzy Hip-Hop.



[1981] Deceit [This Heat] ''FLAC''

Deceit 


Bizzare post-punk with a clear Krautrock influence, mainly descending from Can in the firmly percussive elemnts and the shimmering, occasionally atonal guitar lines. This album is more song based than their awesome debut, although no less devastatingly experimental. More, there are firm melodies and even some stabs at structured songs, but each is interspersed with odd, chanted stlye vocals, random instrumental meltdowns and claustrophobic, oppressive production. Something like a missing link between German experimental rock and UK post-punk, this awesome record transcends the (loose) boundaries imposed by either categorie to generate something unique and utterly engrossing.

Genre: Post-Punk, Alternative
Quality: FLAC

>>> Veni Vidi Vici

[1997] Homogenic [Bjork] ''FLAC''

Homogenic


The whole world knows Bjork for being that crazy lady who attacked an interviewer, having worn a swan dress to a awards show and apparently being completely alien to this world. Although I agree her voice is eiree I wouldn't quite describe it as alien. After all she does sound very Icelandic. After two brilliant albums that shook musical boundaries Bjork returned with her true masterpiece "Homogenic". One thing always puzzles me about this album. Why didn't it sell? The production is flawless, the songs are Bjork's most dramatic (and that's saying something) and it leaves a strong impression after being listened to. Though the songs are a bit odder than on 1995's "Post" or her "Debut", they aren't so far out to alienate fans.
The album starts off with one of Bjork's most important songs, "Hunter". The production and delivery of this song are truly original. The electronic beat is incredibly catchy and different and Bjork sings in a more focused way than usual. The string arangements blend perfectly with the electronic beats and the lyrics are effective. The dreamy "Joga" is another true masterpiece. Bjork's voice amplifies all her emotions into this song. "Bachelorette" similarly is a dramatic moving piece with an epic feel. The album progresses through sadness to complete anger as shown on "Pluto", arguably Bjork's angriest songs. Some call this song unlistenable but I think it provides some much needed anger into the album. It is quite similar in style to "Declare Independence" from "Volta". "5 Years" is another angry song that becomes better with each listen. This song is nothing short of genius. The albums climax "All Is Full Of Love" takes us back to a much calmer Bjork, as though she vented all her anger out through the album. The song symbolises rebirth and is a beautiful way of ending the album. This song also gives us a continuation to the album after it "Vespertine".
The album holds together, almost as a concept album. It shows us a side to Bjork which isn't present in any of her other albums. This apparently is the album where Bjork reverted back into her shell, however, I feel this is her most important album to date. Although some of Bjork's albums take a lot of time to get used to ("Debut", "Vespertine"), this one grabs you on first listen and won't let you go. This is a masterpiece.

Genre: Electronic, Alternative, Trip-Hop, Art Pop, Avant-Garde,
Quality: FLAC

>>> All Is Full Of Love

[1986] Infected [The The] ''FLAC''

Infected


This one-man band is sadly underrated and virtually unknown, possibly because Matt Johnson is too literate for the layman to stomach, or possibly just because he tends to take 5-year-long vacations once in a while. No matter. Infected was his first platinum disc, and rightly so. It's a commentary on the state of the world today - mainly Britain, since he lived there, but really it could apply to any "civilized" modern country. Not every song is explicitly about politics, but every one has the same mood and theme - that things have reached the point where they can't go on the same way any longer and something must be done. Every song burns with desperation as Johnson tries to find a way out but can't.
One thing I like about Johnson is that he's almost never arty - you know how a lot of the time bands are so self-conscious that they basically beat you over the head and scream "We're arty!" at you? Well, he never does that, but he still always remains very poetic. Even from the song titles you can see this - "Slow Train to Dawn", for instance. Johnson pegs the problems of the world so accurately it makes me wish I had thought of it, and sometimes even predicts further developments - "Sweet Bird of Truth", a song about a soldier on a doomed flight to fight in Africa, features the line "Am I to cry like a baby/Die like a man/When all the planet's little wars start joinin' hands?" Guess what events happened just a bit down the road in the Middle East?
When he's not singing about politics, he's singing about man's quest to find himself. The line "I'm just a regular guy" is used a lot throughout the album - in fact, the album tells a consistent story about "just a regular guy" whose life slowly is falling apart and who doesn't know what to do, asking "Tell me what I want in this world" on the first track. It's a very moving story, but the character in it doesn't find his answers (although The Mercy Beat provides a ray of hope for him) - Johnson leaves that to you.
The very dark, despairing lyrics are masked by airy (and really catchy) dance-pop, which may be seen as a drawback by some, but for others may serve to make the songs all the more memorable. If you liked Infected, I recommend Mind Bomb, The The's next album - if you liked that, I definitely recommend Infected. They're completely different works but at the same time they're remarkably similar, and many songs in Mind Bomb are almost sequels to songs from Infected (if you want to see how the relationship in "Slow Train to Dawn" ended, just listen to "Kingdom of Rain", another duet with another pop singer).
Lastly, if you really dig this album, know that a full-length movie was made called "Infected: The Video". Track it down on EBay (they usually sell about two or three copies every time you look) and get a copy - the videos are every bit as great as the music.

Genre: Post-Punk, Alternative
Quality: FLAC

>>> He's Been Buying Them Ever Since

[2010] Innerspeaker [Tame Impala] ''FLAC''

Innerspeaker


It's hard not to evoke comparisons to other bands when reviewing this CD because let's be honest, Tame Impala has perfectly captured the essence of several bands that have paved the way before them. But while playing Spot the Influence is an easy, winnable game with this band, that in no way means that their debut album "Innerspeaker" is in any way boring, predictable, or simply a re-hash of previous ideas. Instead, Tame Impala has taken the space rock vibes of early Pink Floyd, the bluesy riffs of Cream, the over-the-top psychedelica of The Flaming Lips, put them into an blender, and created something exciting and new.

Genre : Psychedelic Rock, Rock.
Quality : Flac